1993 Alliance Print: Jessie Nebraska Gifford, Lie Still. Xerograph in black, image 8 3/8 x 6 1/4" on Mohawk super-fine cream 9 1/8 x 7".

Spring 1993, vol. 1 #1

• Woodcut & the Contemporary Artist, by Karen Kunc
• Post-Print: Staking Claim to the Territory, by Hugh Merrill
• Critical Theory and the Print, by Ruth Weisburg
• Prints & Politics (campaign fundraising)
• A, B, C's - Art, Business, Cash, Dealers, by Harold Horowitz
• J. Nebraska Gifford, Interview by Mel Shestack
• The Lang Collection and the GraphicStudio Archives
• L'estampe en art actuel, reported by Karen Trask
• The Gilkey Center for Graphic Arts, by Carol Pulin

Fall 1993, vol. 1 # 2

• The Why behind the Why, by Karen Trask
• Innovations in Monotype and Paper Art, by Joseph Zirker
• The Net of Irrationality: The Variant Matrix & the Tyranny of the Edition, by Charles Cohan
• Warrington Colescott & Fran Myers, Interview
• Prints & Politics (censorship)
• The Rutgers Archives for Printmaking Studios, by Trudy V. Hansen

1994 Alliance Print: Barry Smylie, Communiqué. Offset lithograph in blue and black, image 5 1/8 x 7" on Simpson evergreen birch 8 x 9".

Spring 1994, vol. 2 #1

• Ticket to Paradise, by Ann Chernow
• Barry Smylie, by Joan Murray
• The Status of Artists, by Harold Horowitz
• Randy Bolton, Interview by Carol Larsen
• Postmodern Printmaking: A Key, by Carol Pulin
• Prints & Politics: Persuasion, by Douglas Dowd
• Buzz Spector, Interview by Neva Lindburg Munoz
• Luminous Volumes, by Johanna Drucker
• Workshops that Work:
  • Women's Studio Workshop, by Tatana Kellner
  • Papeterie Saint-Gilles, by Sébastien Servant

Fall 1994, vol. 2 #2

• Skin Deep: Leon Golub & Nancy Spero, by Lynne Allen
• Please Copy and Circulate, by Kirby Gookin
• Computers, Pyramids & Hearts, by Isaac Victor Kerlow
• Treading the Maze, by Susan King
• Prints & Politics (Hollis Sigler)
• John Himmelfarb, Interview by Susan Stewart
• States of Contrast: Contemporary Printmaking in South Africa, by Charles Cohan
• El Taller 99, Santiago de Chile, by Evelyn Klein

1995 Alliance Print: Barbara Yoshida, Project to $ave the Dollar (and the arts). Offset lithograph in black and hand-printed stamps in green and red, image 6 1/4 x 7 3/4" on Crane "Old Money" (recycled U.S. currency) 8 x 9".  

Spring 1995, vol. 3 #1

• June Wayne's Future Shock, by Louise Lewis
• Meditations on the C-word, by Douglas Dowd
• Michael Ray Charles, Discussion with Katherine Brimberry, Ken Hale and Jack Hanley
• Identities, by Judy Youngblood and Eduardo Garcia
• Prints & Politics: Funny Money, with Barbara Yoshida
• Remote Simulations, by Carmon Colangelo
• The Andy Warhol Museum

Fall 1995, vol. 3 #2

• Printmaking as a Medium of Exchange, by Stephen Petersen
• Give It Away, by Fred Hagstrom
• David Adamson, Interview by Sam Peters
• Prints & Politics (definitions; advocacy)
• Name-Calling: Labels and Roles, by Charles R. Jansen
• The Evolving Definition of the Artist's Book, by Thomas A. Vogler
• The Passion of Maria Bonomi, by Carol Pulin

Spring 1996, vol. 4 #1

• Douglas Dowd, by Norma S. Steinberg
• Pam Longobardi, Interview by Roberta Frew and Jacque McLaughlin
• The Strength of Charles Hewitt, by Genetta McLean
• Innovation and the Meaning of the Artifact, by Charles Heasley
• Prints & Politics: Breath of Fresh Air, by Helga Thomson
• Collecting Prints at 3M, by Charles Helsell
• Edges & Interfaces, by Carol Pulin
• Biennial (Geo)Graphics:
  • Prints in Minnesota, by Elizabeth Armstrong
  • Prints, Hawaii & the Pacific Rim, by Wayne Miyamoto

Fall 1996, vol. 4 #2

• Earthmakers (Joan Smith and Barbara Zeigler), by Patrick Mahon
• The Object and the Encyclopedic Image, by Beauvais Lyons
• Pat Nick, Interview by Randy Hemminghaus
• Prints & Politics: From Comic Books to Commentary, by William Fick
• Infinite Image, by Hugh Merrill
• Diverse Narratives: The Rutgers Center for Innovative Print and Paper, by Lynne Allen

1997 Alliance Print: Kenneth A. Kerslake, Lengthening Shadows. Relief printed etching in black, image 7 x 4 1/2" on Fox River confetti kaleidoscope 9 1/4 x 6 1/2".  

Spring 1997, vol. 5 #1

• Kenneth Kerslake, by Larry David Perkins
• The Digital Print, by Norma S. Steinberg
• Patrick Mahon's House of Flowers, by Carol Podedworny, Barbara Zeigler and Patrick Mahon
• Richard Basil Mock, Interview by J. Nebraska Gifford
• Prints & Politics: Rubber Stamps, by Vulcan Heizer (ps.)
• Working Proof: Shark's Inc., by Susan Krane, George Woodman and Bud Shark
• Situating the Print in Time & Space, by Françoise Lavoie

Fall 1997, vol. 5 #2

• Sid Block & Bob Hiebert, Interview by Barbara Stevko
• Prints & Politics: South Africa's Bill of Rights, by Dominic Thorburn
• The Exchange Portfolio: More Than the Sum of its Parts, by Leslie Koptcho
• Corporate Art Collecting, Not Just for the Big Guys, by Harriet Berkman Hunt
• Sol LeWitt: Puzzles & Prints, by Sylvia Solochek Walters
• Shifting Grounds: The Boston Print Symposium, by Heather Burness and Barbara McConchie

Spring 1998, vol. 6 #1

• Dorothy Simpson Krause & Stars of Hope, by Norma S. Steinberg
• Pattern / Purpose, by Bill N. Thompson
• Prints & Politics: Sue Coe, by Beauvais Lyons
• D.B. Dowd, Interview by Thomas Andrew Huck
• Industry and Idolness: A Relief Print Book, by Judy Stone Nunneley
• Turning Over a New Leaf: Bookarts, by Maureen Cummins
• The Workshop as Center: EES Arts, by Deborah Cornell
• Sightlines: Printmaking and Image Culture, by Fred Hagstrom

Fall 1998, vol. 6 #2

• Diamond Head, by Laura Ruby
• A Self-Portrait "Inside Out," by Bert Menco
• Stealth, Montage and the Modern Allegorical Play, by S.L. Dickey
• Robert Mueller, Interview by Kenneth A. Kerslake
• Prints & Politics: Colorprint USA, by Leslie Koptcho
• Collaborative Printmaking at Littleton Studios, by Judith O'Rourke

1999 Alliance Print: Kathryn Maxwell, Genetic Parry. Color screenprint in four colors water-based ink, image 6 x 6" on Fabriano uno cream 9.5 x 7.5". Printed by Jim Kraft at Unified Arts, Albuquerque, New Mexico.

Spring 1999, vol. 7 #1

• The Delicate Balance of Kathryn Maxwell, by Betsy Fahlman
• Clownz, by Lynwood Kreneck
• Art, Apples and Artifacts, by Barbara Elam
• Phyllis McGibbon, Interview by Anita Jung
• Prints & Politics: Litografiska, by Lynne Allen
• Art Making Book Making Art, by Charles Hobson
• Common Ground, by Carol Pulin

• Chaos, Order and Computers, by Karen Guzak
• Prints & Politics: In the South Pacific, by Fred Hagstrom
• The Anatomy of a Corpse: Dissection of a Collaboration, by Robert Erikson and Gail Panske
• Cacophony & Conundrim in Mixed Media Printmaking, by Julia Kjelgaard
• Prints, Papers, Books, Cultures, by Shireen Holman
• Scrolling the Page, by Carol Pulin

2000 Alliance Print: Walter Askin, The Dingbat Lecture. Letterpress print in black, image 8 7/8 x 6 1/4" on Albrecht Dürer Paper 9 3/8 x 6 7/8". Printed by Darrell Hyder at the Sun Hill Press, North Brookfield, Massachusetts.

Spring 2000, vol. 8 #1

• Printmaking as Syntax of Contemporary Art, by Sam Walker
• Lynne Allen, interview by Judith K. Brodsky
• Violence, by Janice Hartwell
• Prints & Politics: A Manifesto, Imagination and Art, by Walter Askin
• Variation and Continuity: The Workshop Portfolios, by K.E. Duffin
• Big Impressions, by Judith Tolnic
• Away Again, by Karen Kunc

Fall 2000, vol. 8 #2

• William Walmsley as Ding Dong Daddy, by Bradford R. Collins
• Prints & Politics: Printed Matter(s), by Kathryn J. Reeves
• Balancing Act: Man and Technology in the Digital Age, by Brad Shanks
• The New A, B, C: Algorithm, Body, Computer, by Jennifer Mahlman
• In a Snowglobe, by William Harroff
• The Janet Turner Print Collection, by Catherine Sullivan
• Taller Canet, Cuba , by Bob Freimark

• April Katz, Interview by Carol Pulin
• Corporate Art Collecting (and Giving) [South Africa and U.S.A.], by Lynne Allen
• Contemporary Printmaking in Korea, by Peter MacWhirter
• Paperskins, by Kay Stanfield
• Prints and Politics: Boundaries or Connections?, by Hugh Merrill
• On/Off/Over the Edge [Alliance travelling exhibition]
• Journey: Where Narrative Meets Metaphor, by Ryan Burkhart

• Ann Chernow: Originals in the Age of Post-Modern Appropriation, by Carol Pulin
• Drawing & the Prints of Keith Rasmussen, by Tom Dewey II
• Printmaking in Southern Louisiana, by Brian Kelly and Karl F. Vollmar
• Hugh Merrill, Interview by Cynthia Miller
• Prints and Politics: Memorials, by Carol Pulin
• Prints in Boston, 2001, by Norma S. Steinberg

Spring 2002, vol. 10 #1

• Demo'Graphics Report, by Michael Krueger and Stephen Goddard
• Frances Myers & Warrington Colescott, Interview
• Digital Evolution, by John Antoine Labadie
• Prints & Politics: Everything Counts, by Charles Massey, Jr.
• Bridge to Uzbekistan, by Jenny Freestone and Helga Thomson
• The Seríe Print Project, by Dana McBride

Fall 2002, vol. 10 #2

• Conversing and Reversing, by Randy Garber
• Prints & Politics: Southern Comfort in the Integration of Art and Life, by Lea Barton
• Mariana Depetris, Interview by Carol Pulin
• Organizing Art Work Now, by D. B. Dowd
• Making Marks Beyond the Print Studion, by Patricia Olynyk
• Revolution and Representation, by Deborah Cornel

2003 do-it-yourself print: Michael Krueger and Jasper Krueger with Steve Goddard, WUV (War Utility Vehicle). Stencil, 4 3/8 x 6" die-cut image in various colors of index cardstock, 8 x 8 1/2".

Spring 2003, vol. 11 #1

• Exploring Time and Space, by Bonny Lhotka
• Prints & Politics: Aerosol Activism, by Stephen Goddard and Michael Krueger
• Printmaking as Alchemy, by April Vollmer
• A is for Art & Art is for Everyone, by Richard Kennedy
• John Hitchcock, Interview by Carol Pulin
• Honolulu Printmakers: Celebrating a Tradition, by Marcia Morse and Max Aronov
• Learning, by Debrah Santini and Stephanie Smith 

Fall 2003, vol. 11 #2

• Printing Memories, by Pauline Jakobsberg
• Zdzislaw Sikora, Interview by Beverly Hall Smith
• A (Virtual Reality), by Deborah Cornell
• A Graphic Tale, by D.B. Dowd
• Bridge from Uzbekistan: Ipak Yoli, by Jenny Freestone and Helga Thomson

• Prints & Politics: Homespun Truths, by Janet Ballweg
• Peter MacWhirter, Interview by Mark Butler
• Subtle Structure, by Jessica Curtaz
• Lin Carte, Interview by Carol Pulin
• Small Scale to Epic Proportions, by Félix Ángel
• Infinite Proof: An East West Artists Collective, by Karen Cornelius
• Theater of the Mind, by John A. Stewart

Fall 2004, vol. 12 #2

• Andrew Decaen, Interview by Julie Decaen
• Rudolf Bikkers and Phil Secord, Interviews by Peter MacWhirter
• Prints &Politics: Printmaking in a Time of War, by DeWitt Cheng
• The Evolution of a Printmaker, by Caroline Thorington
• Technology versus Concept, by Ruth Pelzer-Montada
• The Tallinn Print Triennial: in Exile, by Ursula Zeller and Sirje Helme

• Unfolding Nature, by Mona Waterhouse
• Prints & Politics: Plowshares, Paper & Ink, by John L. Risseeuw
• Appropriation as Expression in the Era of Open Content, by Kim W. Fink
• Hockney and Werger: Pools and Light, by Tom Dewey II
• Lesley Ann Price, Interview by Carol Pulin
• Printmaking at Penland School of Crafts, by Robin Dreyer
• Intersections of East and West: Contemporary Printmaking in Japan, by April Vollmer

Fall 2005, vol. 13 #2

• Charles Cohan: Configurations, by Marcia Morse
• David Mohallatee, Interview by Brandon Horton
• Image and Process, Woven into Reality, by Diane M. Lara
• Prints & Politics: Print Politics, by Joseph Pentheroudakis and Josh MacPhee
• A Frogman's Experience, by Brad Widness
• Lessons in History, by Tim High
• 90 Years: Nurturing the New, by Jacqueline van Rhyn
• Bedrock: The New York Society of Etchers, by Stephen Fredericks

• Tolerable Diversity: Exploring Cultural Dissonance, by Juanita Tumelaire
• Experiprints & Printstallations, by April Flanders
• Synchronism in Bonnie Baxter's Prints, by Christine Unger
• Tales of Mud and Ink: The Prints of Brian Kelly, by Steven Breaux
• Nancy Campbell and the Mount Holyoke College Printmaking Workshop,   Interview by Mary Elizabeth Strunk
• Work from the Digital Art Studio

Fall 2006, vol. 14 #2

• Prints & Politics: The Art of Persuasion, by Stephen A. Fredericks
• Semographics: Diversity and Collaboration, by Tim High
• Erena Rae — Feminist, Activist, Artist, A Life in Words and Prints
• With and Against the Grain, by Marsha Sweet
• Cultural Collage to Collagraph, by Vinita Voogd
• Passion and Process, by Brian Jones
• A Printmaker in the Old World, by Susan Litsios

• Layer It On, by Lise Drost
• Kore Loy Wildrekind-McWhirter, Interview by Katey Schultz
• Prints & Politics: War in Iraq
  • War Games, by Art Hazelwood
  • Postcards with a Message, by Scott Stout
  • War and Global Warming, by Nancy R. Davison
• Melanie Yazzie, Native Identity & Place, by John-Michael H. Warner
• Hydrus: Nine Heads Are Better Than One, by Sheri Fleck Roth
• Normal Editions Workshop, by Richard Finch and Veda Rives

Fall 2007, vol. 15 #2

• Inspiration and Tradition, by Art Hazelwood
• Will Barnet, Interview by Stephen A. Fredericks
• Process and Choice, by Sarah Whorf
• Collaborating on Global Fusion, by Lyn Bishop
• The Oaxaca - Humboldt Print Exchange, by Humboldt State University interns
• Drive-By Press: Have Press, Will Travel, by Gregory Nanney and Joseph Velasquez

• Prints & Politics: Gum Arabic, by Bob Tomollilo
• Prints & Politics: Homless Rights Activists, by Art Hazelwood
• Contemporary Chinese Printmaking, by Peter MacWhirter
• Printmakers Master Time, by Carol Pulin
• Visual Storytelling, by Bill Hosterman
• Printmaking Artists and Master Printers, by Hugh Merrill
• Printing the Edges: Defining Print within Contemporary Installation, by Althea Murphy-Price

Fall - Winter 2008, vol. 16 #2

• Material Girl, by Kelly M. Nelson
• Prints & Politics: Global Warming Portfolio, by Clay McGlamory
• Photo (un)Finish, by Ellen Jantzen
• Yuji Hiratsuka, Interview by Carol Pulin
• End of a Chapter: Photo-Offset Artists' Books, by Tony White
• Prints & Politics: Democracy
  • Art of Democracy Censored, by Art Hazelwood and Jos Sances
  • Soap Box Prints 2, by Carol Pulin
• Bookmarks: Infiltrating Europe and the U.S., by Sarah Bodman

• The Martha Stewart Affectation: Printspaces Redefined, by Laura Berman and Rachel Melis
• New Direction: Print Landcape, by Brian H. Jones
• Size & Scale in the Field of Contemporary Print, by Catherine Kernan
• Prints & Pinwheels: Envisioning a Sustainable Future, by Kelly M. Nelson and Carol Pulin
• Bridges, New York to Belgrade and Beyond, by April Vollmer

Fall - Winter 2009, vol. 17 #2

• Karin Schminke, Interview by Eileen Fritsch
• Ekphrasis & Roberta Delaney's Bookwork, by Norma S. Steinberg
• Evolution & Change: Natural Selection in Printmaking, by Patrick Merrill
• Natural Order Observed, by Raymond DeCicco
• Prints & Politics: One World, by Carol Pulin
• Global Fusion International Exchange Portfolio, by Maritza Davila

• Connections with Cuban Printmakers: Part 1, History and Teaching, by Marjorie Javan and Candy Nartonis
• Pinecones Along My Path, by Andrea Emmons
• Amos Paul Kennedy Jr., Interview by Laura Zinger
• Vicarious Expression: Collage and Disaster, by Erik Waterkotte
• My Work Is My Diary, by Tetsuya Noda

Winter 2010, vol. 18 #2

• Connections with Cuban Printmakers: Part 2, Experience and Excitement, by Marjorie Javan and Candy Nartonis
• The Ibsen Portfolio, A Printmaker's Journey, by Pieter S. Myers
• Digital Printmaking: Place, Time, Vision, by Carol Pulin
• Hugh Merrill & Audubon's Birds of America

  • Divergent Consistencies, by Adelia Ganson
  • Birds of the Gulf, by Hugh Merrill
• Indrani Nayar-Gall, Interview by Carol Pulin
• New York Society of Etchers: Ten Years, by Stephen A. Fredericks

• Beauty By Mistake, by Curtis Bartone
• Jiachun Zhao & Guanlan Original Printmaking Base, Interview by Peter MacWhirter
• More Collaboration: Semographics 2, by tim High
• Sweeping Gestures, Moments in Ink, by Candy Nartonis
• Prints & Politics: Drawing Inspriation on Stone, by Robert Tomolillo
• Expanding the Biennale at Trois Riviere, by Jo Ann Lanneville
• A Printing Tour de France, by Lead Graffiti (Jill Cyber & Ray Nochols)

Winter 2011, vol. 19 #2

• History of My Use of the Trope, by Robert Brown
• Multiple Roles Engender Self-Portraits, by Valerie Dibble
• Bittersweet: Looking Back, Looking Forward, Collapsing Time, by Beth Grabowski
• Erika Adams, Interview by Mariana Depetris
• American Grain: 50 Years of Printing Woodcuts, by Tony Lazorko

• Twenty Years & Counting: The Digital Revolution in Life & Printmaking, by Kathryn Maxwell
• Prints & Politics: Artist as Environmentalist, by Raymond DeCicco
• Patrick Merrill and the Clouds of War, by Debra Winters, Joanna Roche, patrick Merrill and Suvan Geer, edited by Carol Pulin
• Process Stirs the Imagination, by Terri Dilling
• Art & Theme in the Prints of Rene Arceo, by Julio Rangel
• A Press for International Print Portfolios, by Rene Arceo

Winter 2012, vol. 20 #2

• Hugh Merrill